Sunday, May 17, 2020
The Creation Of A New Medium The String Quartet - 882 Words
Franz Joseph Haydn was an essential creator in the genres of classical music, and he played a huge role in influencing other great composers. Hayden was known for ââ¬Å"The Creation of a new medium: the string Quartetâ⬠(Burrows 102), and the evolution of the Classical Era. At eight years old, Franz Joseph Haydn sang in the choir at St. Stephen s Cathedral in Vienna. While at St. Stephenââ¬â¢s Cathedral, Hayden learned to play the violin and keyboard. Later after leaving the choir he studied counterpoint and harmony. Haydn worked for the courts of the influential Esterhà ¡zy family. Working with the family, he was able to hire his own musicians and experiment without limitations. In 1790, Hayden was commissioned by Johann Peter Salomon to write six symphonies for London. These symphonies were so popular that Salomon requested an additional six symphonies for the concerts in London. On the first tour of London, Hayden wrote Symphony No. 95, the composition had four movements, typical of a symphony, and string quartets. The string quartet did not have many structural forms or procedures prior to Haydenââ¬â¢s involvement. Hayden chose to structure and to incorporate the string quartet into his movement. Hayden broke down the material into notes that developed the usage of the string quartet. In the Symphony No. 95 in C Minor, first and second Movements, Hayden used a variation movement form that changed in the themes so that the audience wouldnââ¬â¢t be bored. The variations of hisShow MoreRelatedJoseph Haydn s Lifelong Involvement With The String Quartet1348 Words à |à 6 PagesJoseph Haydn (1732-1809)ââ¬â¢s lifelong involvement with the string quartet began in the 1750s with a series of works that proved to be among the most auspicious fruits of his early maturity. Haydn had enjoyed success as a singer at the cathedral and at court until his eighteenth year, but from that time on he was obliged to fend for himself as a freelance teacher and musician. As the occasion arose Haydn tried his hand in a variety of musical genres, composing sacred works, and pieces of instrumentalRead MoreEssay on Haydn and Mozart1997 Words à |à 8 PagesWolfgang Amadeus Mozart wrote six string quartets which were dedicated to his friend and fellow composer, Joseph Haydn. These quartets, known as the Haydn Quartets, were among Mozarts first six masterpieces in the medium (Keller, 64). In composing these works, Mozart was inspired by Haydns recently published Opus 33, which is also a set of six string quartets. When Haydn wrote his Opus 33 in 1781, it was the first time he had written for the string quartet in a period of ten years. With theRead MoreKey Signature and Beethoven9252 Words à |à 38 Pages b. 11 overtures c. 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His musical education and career took place entirely in the Soviet Union, where he created his greatest masterpieces including 15 symphonies and 15 string qua rtets. He forayed into several different mediums including compositions of concertos, ballets, motion-picture scores, and opera. In addition, Shostakovich was at often the center of controversy because his operas dealt with subversive ideas that threatened the oppressiveRead MoreMusic : A Very Short Introduction And Other Sources2227 Words à |à 9 PagesThe role of a musician is to bring to life the notes a composer has transcribed, through the medium of musical performance. However, considering the boundaries of the classical tradition, to what extent can creativity be introduced within this performance? This ongoing debate will be discussed in my essay with reference to Nicholas Cookââ¬â¢s novel, Music: A Very Short Introduction and other sources. It is interesting that Cook never claims to be able to categorise music. In the Foreword he states thatRead MoreInfluence of Baroque Music to Classical Music4166 Words à |à 17 PagesBaroque became ââ¬Å"old-fashionâ⬠and lost its favor. Music slowly began to change form the style and forms of the High Baroque to a simpler yet tuneful form around 1750. The period following the Baroque is called the Classical period. The transition to the new styles and forms of Classical music was, like all transitions, rather complicated. The use of the baroque bass figure lost its taste and became obsolete. The preference of a simple structure rather than polyphonic constructions became dominant mostRead MoreInfluence of Baroque Music to Classical Music4158 Words à |à 17 PagesBaroque became ââ¬Å"old-fashionâ⬠and lost its favor. Music slowly began to change form the style and forms of the High Baroque to a simpler yet tuneful form around 1750. The period following the Baroque is called the Classical period. The transition to the new styles and forms of Classical music was, like all transitions, rather complicated. The use of the baroque bass figure lost its taste and became obsolete. The preference of a simple structure rather than polyphonic constructions became dominant mostRead More The Similarities Between Classical Music and Ellingtons Jazz2414 Words à |à 10 Pagescommit, ââ¬Å"The ââ¬Å"Jazz Maniaâ⬠has taken on the character of a lingering illness and must be cured by means of forceful intervention.â⬠1 This conflict can be traced through out the history of Jazz, as Classical composers have relatively disregarded this new type of music. Before Duke Ellingtonââ¬â¢s Cotton Club performances, Jazz play on the radio was delegated for late night audience only. This sub-culture treatment has led many critics to disregard the Jazz movement as a dance craze, or unsuccessful recreationsRead MoreThe Similarities Between Classical Music and Ellingtons Jazz2455 Words à |à 10 Pagescommit, The Jazz Mania has taken on the character of a lingering illness and must be cured by means of forceful intervention.1 This conflict can be traced through out the history of Jazz, as Classical composers have relatively disregarded this new type of music. Before Duke Ellingtons Cotton Club performances, Jazz play on the radio was delegated for late night audience only. This sub-culture treatment has led many critics to disregard the Jazz movement as a dance craze, or unsuccessful recreations
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